2025년3월고1모의고사변형문제(35번) [모의고사변형문제월드 미키박영어]

2025년3월고1모의고사변형문제(35번)와 정답자료가 필요하시다고요?

 

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오늘은 2025년3월고1모의고사변형문제(35번)와 정답자료를 제공해 드립니다.

 

 

 

모의고사변형문제월드 미키박영어

 

좋은 내신 성적은 진심에서 나오는 거 아시죠?

 

35번 지문에 대한 완벽한 이해는 기본이죠?

 

미키박영어 2025년3월고1모의고사35번해설

 

 

 

 

35번 내용 확실히 익히셨으리라 믿고,

 

변형문제 도전 시작합니다!

 

 

 

 

 

 

 

Here we go!

 

 

 

 

 

2025년3월고1모의고사변형문제(35번) 

1. 다음 밑줄 친 부분 중 어법상 틀린 것은?

 

What does it mean for a character to be a hero as opposed to a villain? In artistic and entertainment descriptions, ①it’s essential for the author to establish a positive relationship between a protagonist and the audience. In order for tragedy or misfortune ②drawing out an emotional response in viewers, the character must be adjusted so as to be recognizable as either friend or enemy. Whether the portrayal is fictional or documentary, we must feel that the protagonist is someone ③whose actions benefit us; the protagonist is, or would be, a worthy companion or ④valued ally. Violent action films are often filled with dozens of incidental deaths of minor characters that draw out little response in the audience. In order to feel strong emotions, the audience must be emotionally ⑤invested in a character as either ally or enemy. 
* villain: 악당 ** protagonist: 주인공

 

 

 

정답은?

 

 

 

 

 

②drawing -> to draw

in order to V : V하기 위해서 입니다.

그런데 to V 앞에 의미상의 주어( for tragedy or misfortune)가 있죠?

그래도, in order to V 형태는 그대로 남아 있어야 하죠?

그래서, to draw 가 옳습니다.

 

 

 

 

2025년3월고1모의고사변형문제(35번) 

2 다음 밑줄 친 부분 중 문맥상 어색한 것은? (원문 일부 변형 문제입니다.)

 

What does it mean for a character to be a hero as opposed to a villain? In artistic and entertainment descriptions, it’s essential for the author to ① create a positive relationship between a protagonist and the audience. In order for tragedy or misfortune to draw out an emotional response in viewers, the character must be adjusted so as to be ② identifiable as either friend or enemy. Whether the portrayal is fictional or documentary, we must feel that the protagonist is someone whose actions ③ profit us; the protagonist is, or would be, a worthy companion or valued ally. Violent action films are often filled with dozens of ④ minor deaths of minor characters that draw out little response in the audience. In order to feel strong emotions, the audience must be emotionally ⑤ engaged in a character as either ally or enemy. 

 

 

정답은?

 

 

 

 

 

정답
✅ ③ profit → benefit

해설  
3번 profit(이익을 주다)은 문맥상 어색한 표현입니다.
원문에서는 "benefit"(도움이 되다, 유익하다)가 사용되었으며, 이는 주인공의 행동이 관객에게 긍정적인 감정이나 가치, 유대감을 느끼게 해 준다는 뜻입니다.

→ profit은 금전적 혹은 실질적 이익을 의미하는 경향이 강해서, 이처럼 감정적·윤리적 연결을 말하는 문맥에서는 부적절하게 느껴집니다.
→ 따라서 이 자리에는 benefit이 훨씬 더 자연스럽고 정확한 표현입니다.

다른 보기의 원문 단어
✔ ① create (원문: establish)
→ Establish는 ‘확립하다’, create도 ‘형성하다’라는 의미로 문맥상 적절합니다.

✔ ② identifiable (원문: recognizable)
→ Recognizable는 ‘알아볼 수 있는’, identifiable도 같은 의미로 자연스럽게 사용됩니다.

✔ ④ minor (원문: incidental)
→ Incidental은 ‘부차적인’, minor는 ‘중요하지 않은’이라는 뜻으로 적절한 동의어입니다.

✔ ⑤ engaged (원문: invested)
→ Invested는 ‘감정적으로 몰입한’, engaged도 ‘관심을 기울이는, 몰입한’이라는 뜻으로 문맥에 잘 맞습니다.

 

 

 

 

2025년3월고1모의고사변형문제(35번) 

3. 다음 문장에 이어질 글의 순서를 정하시오.

 

What does it mean for a character to be a hero as opposed to a villain?

(A) Violent action films are often filled with dozens of incidental deaths of minor characters that draw out little response in the audience. In order to feel strong emotions, the audience must be emotionally invested in a character as either ally or enemy.  
(B) In artistic and entertainment descriptions, it’s essential for the author to establish a positive relationship between a protagonist and the audience. In order for tragedy or misfortune to draw out an emotional response in viewers, the character must be adjusted so as to be recognizable as either friend or enemy. 
(C) Whether the portrayal is fictional or documentary, we must feel that the protagonist is someone whose actions benefit us; the protagonist is, or would be, a worthy companion or valued ally. 
① (A) - (C) - (B)
② (B) - (A) - (C)
③ (B) - (C) - (A)
④ (C) - (B) - (A)
⑤ (C) - (A) - (B)

정답은?

 

 

 

 

 

 

✅ 정답:
④ (C) - (B) - (A)

✅ 정답에 대한 이유:
**(C)**는 주인공이 관객에게 유익한 존재여야 한다는 점, 주인공이 동맹 또는 중요한 동료가 될 수 있다는 점을 설명합니다.

**(B)**는 작품에서 주인공과 관객 사이의 긍정적인 관계를 설정해야 한다는 점, 주인공이 적이 될 수도 있지만 그 또한 극적 효과를 내기 위한 중요한 요소임을 설명합니다.

**(A)**는 액션 영화에서 관객이 강한 감정을 느끼기 위해서는 인물에게 감정적으로 몰입해야 한다는 점, 주인공이 되어야만 감정적 반응이 유도된다는 설명을 제공합니다.

따라서 전개 순서는 **(C) → (B) → (A)**가 가장 자연스럽고 논리적입니다.

 

 

 

 

2025년3월고1모의고사변형문제(35번) 

 

4. 다음 빈칸에 들어갈 가장 알맞은 것은? (원문 일부 변형 문제입니다.)

 

What does it mean for a character to be a hero as opposed to a villain? In artistic and entertainment descriptions, it’s essential for the author to establish a positive relationship between a protagonist and the audience. In order for tragedy or misfortune to draw out an emotional response in viewers, the character must be adjusted so as to be recognizable as either friend or enemy. Whether the portrayal is fictional or documentary, we must feel that the protagonist is someone whose actions benefit us; the protagonist is, or would be, a worthy companion or valued ally. Violent action films are often filled with dozens of incidental deaths of minor characters that draw out little response in the audience. In order to feel strong emotions, the audience must be emotionally invested in a character as either ally or enemy. __________.  
① A hero is always depicted as a figure who is disliked by the audience.
② Minor characters’ actions usually evoke strong emotional reactions in the audience.
③ The relationship between a protagonist and the audience does not influence emotional investment.
④ The audience must emotionally connect with the character as either an ally or an enemy.
⑤ Tragedy in a film only works when all characters are considered heroes.

 

 

정답은?

 

 

 

 

 

 

정답
④ The audience must emotionally connect with the character as either an ally or an enemy.

풀이
④ 관객은 주인공과 감정적으로 연결되어야 한다 — 그가 아군이든 적이든 → 지문에서 관객이 주인공에게 감정적으로 투자해야 하며, 주인공이 아군이든 적이든 연결을 느껴야 한다고 설명하고 있기 때문에 정답입니다.
① 영웅은 항상 관객에게 미움받는 인물로 묘사된다 → 지문에서는 영웅이 관객과 긍정적인 관계를 형성해야 한다고 강조하고 있으므로 틀립니다.
② 작은 인물들의 행동이 보통 관객에게 강한 감정적 반응을 일으킨다 → 지문에서 작은 인물들의 죽음이 관객에게 별다른 감정을 일으키지 않는다고 설명하고 있기 때문에 틀립니다.
③ 주인공과 관객 간의 관계는 감정적 투자의 영향을 미치지 않는다 → 지문에서 주인공과 관객 간의 관계가 감정적 반응에 영향을 미친다고 언급하고 있기 때문에 틀립니다.
⑤ 영화에서 비극은 모든 인물이 영웅으로 간주될 때만 효과가 있다 → 지문에서는 영웅과 악당에 대한 명확한 구분이 중요하다고 설명하고 있기 때문에 틀립니다.

해석
영웅이란 무엇인가, 악당과는 어떻게 다른가? 예술과 오락의 묘사에서, 작가는 주인공과 관객 사이에 긍정적인 관계를 형성하는 것이 필수적입니다. 비극이나 불행이 관객에게 감정적 반응을 이끌어내기 위해서는, 그 캐릭터가 친구인지 적인지 쉽게 알아볼 수 있도록 설정되어야 합니다. 묘사가 허구든 다큐멘터리든 관계없이, 우리는 주인공이 우리에게 이익이 되는 행동을 하는 인물이어야 한다고 느껴야 하며, 주인공은 우리가 함께할 만한 가치가 있는 동료나 소중한 동반자여야 합니다. 폭력적인 액션 영화는 종종 수많은 부수적인 인물들의 죽음을 담고 있는데, 이들은 관객에게 큰 반응을 일으키지 않습니다. 강한 감정을 느끼기 위해서는 관객이 그 캐릭터에게 감정적으로 투자해야 하며, 그 캐릭터를 아군 또는 적으로 감정적으로 연결해야만 합니다. 따라서, 관객은 주인공과 감정적으로 연결되어야 한다 — 그가 아군이든 적이든.

어휘 정리
protagonist 주인공
villain 악당
emotional response 감정적 반응
tragedy 비극
misfortune 불행
ally 동맹, 아군
enemy 적
incidental 부수적인
investment 투자
connection 연결

 

 

2025년3월고1모의고사변형문제(35번) 

5. 다음 글의 내용을 한 문장으로 요약하고자 한다. 빈칸 (A), (B)에 들어갈 말로 가장 적절한 것은?

 

What does it mean for a character to be a hero as opposed to a villain? In artistic and entertainment descriptions, it’s essential for the author to establish a positive relationship between a protagonist and the audience. In order for tragedy or misfortune to draw out an emotional response in viewers, the character must be adjusted so as to be recognizable as either friend or enemy. Whether the portrayal is fictional or documentary, we must feel that the protagonist is someone whose actions benefit us; the protagonist is, or would be, a worthy companion or valued ally. Violent action films are often filled with dozens of incidental deaths of minor characters that draw out little response in the audience. In order to feel strong emotions, the audience must be emotionally invested in a character as either ally or enemy. 

↓

To evoke emotional responses, storytellers must present characters as (A) or enemies to ensure audience (B).
           (A)                          (B)
① strangers                   understanding
② victims                      criticism
③ allies                         investment
④ leaders                      confusion
⑤ figures                      isolation

정답은?

 

 

 

 

 

 

✅ 정답: ③ allies ··· investment

✨ 해설:
(A) allies (동맹, 아군)
→ 지문에서 "the protagonist is someone whose actions benefit us... a valued ally"라고 설명하듯, 관객이 감정적으로 반응하려면 등장인물이 ‘아군’ 또는 ‘적군’으로 인식되어야 한다고 강조합니다.

(B) investment (감정적 몰입)
→ “the audience must be emotionally invested in a character”라는 문장에서 명확히 드러나듯, 감정적 몰입이 강한 반응을 이끌어냅니다.

📌 오답 해설

① strangers / understanding: ‘낯선 인물’은 감정적 반응을 유도하지 못함

② victims / criticism: 비판이 아닌 공감과 몰입이 핵심

④ leaders / confusion: 지도자 또는 혼란은 언급되지 않음

⑤ figures / isolation: 단순한 인물 또는 고립은 주제에서 벗어남

 

 

 

 

 

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